CO.LA.BO ODORI KOUEN

最上階の「天空ラウンジ」最大の魅力はなんと言っても大通公園を一望できる豊かな眺望。
窓ガラスも大きく採光に恵まれているため、そのまま撮影すればせっかくの眺望が白飛びしてしまいます。そこで今回は窓の外に基準に調整を行い、室内はレタッチで後から持ち上げています。
室内写真は人物やファーニチャーなど「室内にあるもの」を基準に露出を考えがちですが、今回のように眺望に魅力がある場合は同様の考え方ではいけません。
「何を見せるべきか」を追求してきたEVだからこそ現場で瞬時に柔軟な方針転換を行うことができるのです。

The biggest attraction of the Tenku Lounge on the top floor is the magnificent view overlooking Odori Park. The window glass is large and provides plenty of sunlight, so if you take a photo without changing it, the view will be overshadowed. Therefore, this time I made adjustments based on the outside of the window, and later retouched the interior to lift it up. When it comes to indoor photography, we tend to think about exposure based on what's inside the room, such as people and furniture, but when the view is attractive like this one, you shouldn't think in the same way. Because EVs have pursued ``what should be shown'', they are able to make flexible policy changes instantaneously on site.

高い加工力もEVの強みの１つ。
大通公園は常に人・自動車が行き交っており、もちろん撮影日も混雑していました。
なるべくノイズの少ないタイミングシャッターを切りますがそれでもノイズ0の写真を撮ることは不可能です。
そこで、レタッチの際に写真にとってノイズとなってしまっている要素を1つ1つ手作業で全て消してゆきます。
例えばこの写真。30名以上の人物が写っていたなんて信じられますか？

High processing power is also one of EV's strengths. Odori Park is always crowded with people and cars, and of course it was crowded on the day of the shoot. I try to use the timing shutter with as little noise as possible, but it is still impossible to take photos with zero noise. Therefore, when retouching, I manually erase all the elements that are causing noise in the photo one by one. For example, this photo. Can you believe there were over 30 people in the photo?

建築写真において重要なのは「水平」そして「垂直」。
柱・縁・窓・壁さまざまな要素をものさしに、撮影スポットを模索します。
個室スペースは14-16mmで撮影。
空間を広く見せることができる反面、歪みが生じてしまうのが大きなデメリット。
この「歪み」もレタッチで1つ1つで補正作業を行い、違和感のない仕上がりを追求します。これもまた建築写真に強みを置くEVのこだわりの1つです。

The important things in architectural photography are "horizontal" and "vertical". We search for photo spots using various elements such as pillars, edges, windows, and walls. The private room space was photographed with 14-16mm. While it can make the space appear larger, the major disadvantage is that it creates distortion. This "distortion" is also corrected one by one through retouching, in pursuit of a finish that doesn't look out of place. This is also one of EV's strengths in architectural photography.